The Audio EMC Integrated Quiet Power Supply units are designed specifically for use with single frame CADAC mixing consoles. Each one is designed to suit the power requirements of your particular single frame console.
This is an integrated power supply design, so all voltages are generated inside a single 19″ rack unit.
You will need your existing CADAC power cable to run the console.
Prism Sound and Oxford Digital, in conjunction with Texas Instruments, CJS Labs and Audio EMC, invite you to join this audio engineering masterclass from the Cogswell Polytechnical College in Sunnyvale, CA.
It is a unique opportunity to hear from some of the most experienced engineers in the industry and to learn about their practical experiences in analogue and digital audio design. See the latest developments in technology, and profit from the many decades of collective experience of our panel of experts.
Active Loudspeakers: Design and Optimization Masterclass Video Preview
Audio Design Workshop LIVE @ AES Helsinki
Prism Sound and Oxford Digital, in conjunction with theAES, Texas Instruments, Klippel,LOUDSOFT andAudio EMC, invite you to join our audio engineering masterclass via LIVE webcast feed from the 51st AES conferencein Helsinki. This is a unique opportunity to hear from some of the most experienced engineers in the industry, and to hear about their practical approaches to analogue and digital audio design. See the latest developments in technology, and learn from the many decades of collective experience of our panel of experts.
Klippel will discuss ongoing efforts to define and develop meaningful audio performance metrics for today’s smart devices.
LOUDSOFT will explain to us how the loudspeaker development process can be greatly streamlined with modern CAD tools.
will show us how the application of DSP techniques can maximise compact loudspeaker performance for a given budget and footprint.
Texas Instruments will address the performance benefits afforded by a system-level approach to active loudspeaker design.
Prism Sound will demonstrate how modern digital audio analysis techniques can provide far greater and more rapid insight into system performance.
will provide practical solutions to the often-overlooked problems of electromagnetic interference and its impact on audio system performance. If you would like to attend the full 51st AES conference in person, please visit the AES website to register.
LEARN the tricks of the trade
HANDS-ON with eval units and demos
WATCH LIVE on our webcast if you won’t be attending the AES conference
MEETthe industry experts and HEARabout their experiences
Wolfgang Klippel, Klippel Loudspeaker Data – Reliable, Comprehensive, Interpretable
Peter Larsen, LOUDSOFT Designing Transducers for Compact Active Speakers John Richards, Oxford Digital Optimizing Compact Loudspeaker Performance – the role of DSPBreak
Lars Risbo, Texas Instruments Louder, Cheaper and Better Through System-Level Optimization of Speaker, Amplifier, Power Supply & Intelligent Signal Processing
Simon Woollard, Prism Sound Audio System Analysis – Tips and Tricks to Verify Your Designs
Anthony Waldron, Audio EMC
Audio Power Amplifiers; EMC Best Practice Revealed
LOCATION: The House of Science and Letters: Kirkkokatu 6, 00170 Helsinki, Finland
DATE: Wednesday 21st August 2013 12:30 – 18:00 EEST
10:30 – 16:00 BST
05:30 – 11:00 EDT
WHO SHOULD ATTEND? Engineers, Engineering Managers, Students and Academics involved in audio engineering
Prism Media Products Ltd | The Old School High Street | Stretham | Ely | CB6 3LD | UK | +44 (0)1353 648 888
Prism Media Products Inc | 21 Pine Street | Rockaway | NJ | 07866 | USA | 1-973 983 9577 www.prismsound.com | firstname.lastname@example.org
When I first started to consider how to find sources for radio frequency interference (RFI) in audio systems, my natural instinct was to look for frequencies that were being transmitted on purpose. But it turned out that the most disruptive RFI sources were not designed or intended to transmit radio waves – they did it by accident! What was even worse, was the fact that most of the really bad sources of interference tended to be inside the physical system.
Anyone working in Broadcast, Recording, Live-Sound or Theatre, soon finds out that lighting control systems create a lot of wide band electrical noise and that the noise varies with the brightness of the lights. However, it is not immediately obvious that part of the noise is radiated (like radio waves) and part is coupled to the system wiring by electromagnetic induction. During the last 20 years of the 20th century, the advent of motor driven lighting equipment, power flying, stage machinery and computers, forced national standards authorities to do something about the problem. In Europe, this is called the Electro Magnetic Compatibility Directive (EMCD).
More recently, we need to be able to cope with the cell ‘phone.